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Films
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USA
Thrival Geographies (In My Mind I See a Line)
The assumption that all people are able to actualize the rights, benefits, and responsibilities of citizenship within the built environment is misleading. African Americans’ ownership of property and use of public space for personal enjoyment has been historically perceived as transgressive behavior, and often met with punitive legal action, violence, and, at times, death. Given this context, the ability of African Americans to successfully navigate and shape the physical spaces within their lives has amounted to de facto survival strategies. Addressing this fraught social-spatial condition and its impact at the scale of the citizen, Thrival Geographies (In My Mind I See a Line), an intervention in the courtyard of the US Pavilion, is rooted in the historical spatial practices of African Americans, yet speculates upon new spatial strategies that support the most precarious of populations. We foreground these practices as manifestations of civic agency and freedom that move all citizens beyond mere survival toward thrival and full participation in the democratic ideal.
Azerbaijan
I’m Aware
The film addresses various challenges that could be faced particularly by pedestrians, people with disabilities, and women* regarding public transport, the exclusive infrastructure of roads and public spaces, and the design of underground passages. Around a round table, young people discuss their stories regarding the confusing and challenging urban experiences where lack and sometimes the abundance of unreasonable passages makes life easier for cars, yet so tough for the citizens. Further, the dysfunctioning "Top-up" points for accessing public transport are also reflected in the film. Most of the public transport in Baku could be accessed through the "Baku card" payment, whereas most bus stops are underequipped with the machines to top the cards or they are not properly functioning. The situation puts many people in a helpless situation when they try to hop on quickly to the coming bus, but also there is a sweet culture of asking others on the bus to pay for them in return for small cash. Last, the unsafe reality of Baku's streets for women and the lack of inclusion regarding people with disabilities are shortly reflected in the film.