A short film created as a spontaneous action of inclusion of a local taxi driver into the conversation of foreign passengers, three friends. Although we didn’t speak the same language as him, in this short moment in time we let the music he likes become our way of silent communication with him. ‘Marjana therras’ is a personal, poetic view of Tirana, where different simultaneous scenes in a symbolic try to evoke different emotions; scenes of old photographs and bucolic nostalgia, contrasted by estranged people on the streets looking at their phones. While I was staying in Tirana I had a strong feeling of empathy towards older, local people. I saw that often they don’t speak any foreign languages, while at the same time, because of economic challenges Albanian people face they are “forced to” work with tourists. As Tirana is rapidly growing and changing, the city center is full of foreigners, both investors and tourists. Local people don’t take a taxi — they take a bus or they drive a taxi. Local people often don’t go out to eat in restaurants — the eat at home or they work in restaurants. Economic differences between local people and foreigners are felt in all areas of life. In Tirana, I had a strong feeling that local people from Tirana often feel as second-grade citizens in their own city, “occupied” by English-speaking foreigners, surrounded by fancy shops and restaurants, which they, local people — can’t afford. This short film is a documentation of one humble effort of trying to make a local taxi driver feel like he’s at home in his own city, by a simple act of showing an interest in his culture through his own personal — music playlist.

The movie is about nature preservation and how human and animal habitats could co-exist together. In this area where the movie is filmed, people have free access to give a visit and be in touch with animals. The interviewer explains the importance of the preservation of animal species and nature. Baku is a very busy and noisy city. Sometimes people want to escape the chaos of the city, but unfortunately, there are not very well-designed parks or other places where people can be easily in contact with nature. The filmed site is one of the examples where people could visit and be in touch with nature. Although Baku does not have the best nature scene, other regions of Azerbaijan are covered with beautiful nature and green areas. However, another problem is about access to these places. Sometimes they charge unreasonable prices for entrance tickets, or you need to take a seat at a facility (cafe, restaurant, etc) around the place (which charges a lot) in order to have access to nature. Escaping the noise of a big city and finding peace in public natural places is every citizen’s right. Restrictions on access and lousy design (as well as location) of parks in Baku are other urban problems of many.

Progress is a video piece that was made in collaboration with Samir Chadli, Lara Jacoski and Andrew Sawyer, and which hopes to draw attention to urban, cultural and environmental changes in Morocco. ​ Working with discarded construction material and found pieces of traditional Moroccan tiles, this work addresses issues related to what is gained and what is lost through economic development and how developing countries can face the challenges of growth and changes of identity. This is synthesised in the work through a choice of colours, pace, sound and themes. Note: the sound features street recordings which are inteligible and not possible to caption.

Vernacular extensions of modernist buildings have been created since the 1990s as an organic response to the new, “lawless” times after the fall of the Soviet Union. They increase the living space and are usually used as terraces, extra rooms, open refrigerators,It is said that a Russian journalist named them “kamikaze,” drawing a parallel between the romantic and suicidal character of such an endeavour and the typical ending of most Georgian family names “-adze.” This architecture also refers back to the local palimpsestic building technique, which since the Middle Ages has allowed new houses to be built on top of existing ones on the steep slopes of the Caucasus Mountains, thus not monumentalisation of the past but expanding on it for the future. Three residence from different flat which have extensions tell their stories, why they decide to build it and how they use this part of house. The facades of all these types of buildings look chaotic, but from the inside they are all ordered.

Open space plays very important role in dense urban areas for maintaining health and wellbeing of people and the environment of the city. Due to rapid urbanization, haphazard development is seen without adequate open spaces. In other hand, the existing open spaces are being encroached and neglected. This video is about the revitalization of one of the open spaces of traditional city, Bagaicha of Lubhoo, Mahalaxmi Municipality, Nepal. The community collaborated with local government and Lumanti (NGO) for participatory process from designing to operation of the garden.

Ilford is a diverse and growing neighbourhood of London. Access to green and public spaces in the heart of Ilford however, is greatly compromised. According to the English Indices of Multiple Deprivation, it features amongst the 10% most deprived areas for access to high quality local living environment. Wilderness Street is a temporary living urban landscape which was installed in Oakfield Road in Ilford in 2022, launching the town centre as a cultural destination at London's north-eastern fringe. Before large-scale urbanisation started from the C19, the Ilford, Barkingside and Hainault area was characterised by forests, fields and meadows. Our design strategy seeks to temporarily revive these lost landscapes. We have selected Uphall Camp Beacon, the former Royal Forest of Hainault and the Essex Grazing Marshes as blueprints for plant species and landscape character to be replicated by our proposal for Oakfield Road. The project advocates for the preservation of ancient natural landscapes and their role in maintaining biodiversity and supporting well-being. The legacy strategy will see all planting including trees and shrubs given away to community organisations and Ilford residents at the end of the project. Enticing local people to adopt the plants will see elements of the ancient Essex landscape re-instated in public places in Ilford, in peoples gardens, front gardens, planters and allotments.

I walked along the road around the apartment, reflecting on the process of asking again how the city would have become our haven. In an apartment complex built in the 1970s, trees placed between unintended apartment street intervals create a middle park. The video shows people and animals resting together in the scene where trees placed in the path, not in a public park, create a park landscape. The tree had a buffering effect that absorbed the concept of an artificial building called an apartment as if rubbing it into nature.

ARCHITECT IS A MEDIATOR BETWEEN PEOPLE AND ARCHITECTURE / FILM SHOWS IT EXPRESSLY STRAIGHT P.S makes places usable by everyone, regardless of age, ability and circumstance.

Azerbaijan’s education culture is built in a way that after graduation from high school those who are capable of having to move to Baku for university education and eventually to start a “better” life there. It is mostly because, unfortunately, there are not many opportunities for young people in the other districts of the country and the decentralization process is very slow in the regions. The situation makes many young people leave their life behind and start a new beginning in a huge and gray city. Many things do not translate the same when you move from a district where life is slower, nature is beautiful and green, people are kinder and know each other and most importantly there is a sense of community around the neighborhood you used to live in. In return, Baku is very hectic, the weather is toxic, people always rush somewhere and the high buildings and city infrastructure leave you with minimum contact with people and nature. Most women who have mental health problems such as general anxiety and depression find it hard to adapt to a new toxic environment. Most women also feel more insecure about their safety and security in Baku due to the higher chances of harassment compared to the regions. The sense of being a “stranger” to a big city you newly moved in also adds up to the general anxiety and mental health problems. Some spaces help to relax and find peace such as the shore of the Caspian Sea. However, it is getting increasingly crowded and dirtier every other day. Conditions in the country leave many young people with little to no choice but to move to the capital city at some point in their lives. The city design with its many problems from transport to overpopulation makes it hard for most to adapt.

Relationship between an individual and a built-environment. Inclusiveness of the familiar space as cultural, and personal identity.

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The Skanderbeg Square is a beautiful place and space for inclusion in daily life in Tirana. The site welcomes you the way you are, the way you move, the way you sound and the way you appear. When I first came to the square I was overwhelmed by its diversity and complexity. I got inspired to use the inclusive concept of football to get in contact with locals in Tirana and create the Dreamteam of Skanderbeg Square.