Georgia

Tbilisi has a lot if underground crossing for pedestrians and it's role and only purpose was to help people cross the roads with intensive car traffic. However, with time they have turned into multifunctional public spaces, places where people communicate with each other - shops, beauty salons, ateliers, pharmacies and many more. At the same time, at night, the underground crossing transforms into absolutely different space - dark and dangerous, especially for women. The film explores the underground crosses from all sides of its multifunctional meanings.

Denmark

The film explores where the boundaries of inclusive design are and how they can be further extended by setting pre-determined barriers. The project fictionalises the story of a traveler without knees and how he lives in a modern city. In the process of social discipline, it is a necessary thing to deconstruct the single-mindedness and wishful thinking of the designers in a playful way. In the process of making the film, I tried to identify similarities in the symbolic forms of everyday life and intertwined them with ''poor images'' to examine the tiny narratives of fragmentation and chatter from the position of a spectator.

Georgia

Grandfather in his last days was asking Grandma (Bebo)- "to whom you will stay, when I pass away?" Grandma (Bebo) stayed with grandson named simillarly as grandfather.

Hong Kong

In an increasingly digitised age, how can we bring inclusivity into spatial designs and how can individuals represent themselves in such spaces? This exhibit is showcasing the co-creations by citizens and architects - the "Volumetric Cinema" workshop openly invited more than 30 participants from all walks of life to co-learn Artificial Intelligence (AI) and 3D Extended Reality (XR) technologies, and generated five microcinema of urban landscapes in three weeks. Taught by seven international and interdisciplinary instructors, who toured participants around old districts of Hong Kong, interacted with residents, and studied urban redevelopment from the perspectives of inhabitants to jointly reflect on the multiplicity of our urban future(s). At the Mid-Autumn Festival, the workshop held a premiere event and community review, inviting residents to participate in interactive games and discuss the results of the workshop, and spent a warm and meaningful holiday together.

Albania

The beginning of the Albanian feminist movement in the early XX century was relatively late compared to other western developed countries. The name of the movie refers to the first society of women, called “Morning Star”, was founded in January 1909, by the Sevasti and Parashqevi Qiriazi. This short movie refers to the spatial narrations, messages in public spaces which often unconsciously and imperceptibly preserve patriarchal patterns. In Tirana, a city where there is relatively more freedom and openness to individuality, compared to the towns and villages of Albania, statues of male heroes dominate anyway. The only female statue that has been inaugurated in 2022, is the statue of Queen Geraldine, as wife of King Zogu. The role of women in history, their importance for the development of the country and it's culture must be redefined and make visible in the public space. The project refers to urban anthropology, but also to the relations of power shaped in the landscape. We admire (in ALbania) the beautiful views, the mountains, forgetting about the situation of women there, forgetting that in small towns, in and behind mountain villages in Albania, there are still many women whose rights to decide about themselves are not respected. And, in terms of land, typical and common here, they cannot inherit a family's land inheritance.

Albania

A short film created as a spontaneous action of inclusion of a local taxi driver into the conversation of foreign passengers, three friends. Although we didn’t speak the same language as him, in this short moment in time we let the music he likes become our way of silent communication with him. ‘Marjana therras’ is a personal, poetic view of Tirana, where different simultaneous scenes in a symbolic try to evoke different emotions; scenes of old photographs and bucolic nostalgia, contrasted by estranged people on the streets looking at their phones. While I was staying in Tirana I had a strong feeling of empathy towards older, local people. I saw that often they don’t speak any foreign languages, while at the same time, because of economic challenges Albanian people face they are “forced to” work with tourists. As Tirana is rapidly growing and changing, the city center is full of foreigners, both investors and tourists. Local people don’t take a taxi — they take a bus or they drive a taxi. Local people often don’t go out to eat in restaurants — the eat at home or they work in restaurants. Economic differences between local people and foreigners are felt in all areas of life. In Tirana, I had a strong feeling that local people from Tirana often feel as second-grade citizens in their own city, “occupied” by English-speaking foreigners, surrounded by fancy shops and restaurants, which they, local people — can’t afford. This short film is a documentation of one humble effort of trying to make a local taxi driver feel like he’s at home in his own city, by a simple act of showing an interest in his culture through his own personal — music playlist.