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Greece

"The Green Chair" is a film by Andriana Theochari and Anna Katrine Tan. The film explores the contrast between the simultaneous overdevelopment of cities and the right to "sit" which symbolizes the right to take time to reflect on what is happening. Highlighting a kind of public furniture, a chair becomes a medium between fast and slow processes in our lives.

Georgia

Every day, we see different urban spaces around us; some are where we live, while others are work areas or streets that we frequently walk or pass by. I grew up in Tbilisi, and my home is near the most famous bazaar in Tbilisi, called the Deserter's Bazaar. It's the most chaotic, noisy, and filthy place I’ve ever been. Public spaces are areas where different people meet each other for different purposes. The bazaar is one of the strangest examples of public space and relations. The people who are here every day at work are boxing everything as much as possible. My main character is space itself, which we see in the first scene. The area really looks like an ocean, but inside the bazaar, people are boxing the spaces. Everything is boxed, like the fruits, vegetables, meat, eggs, and even the fresh fish are boxed in glass boxes.

Albania

This hidden place is enclosed by skyscrapers and the continuous transformations of Tirana. We had the honour of being part of Dashira’s daily routine for a week. Her Gjelltore became for us a way to explore the identity of the neighbourhood: the needs, the hopes and the preoccupations of its citizens. Her dedication to keeping this place open to serve workers, passersby and old acquaintances restores a precise sense of belonging against the fast pace of the city. Every day, tiny spontaneous gestures of care turn this small canteen into a gentle place of resistance. We learned from Dashira’s Gjelltore how to grasp the mechanism of relationships and place-making. This is a shared space, where you are able to count on a warm meal, a point of reference open seven days a week: in one word a recipe for community building. Gjelltor-ism is our method to interact with the urban environment - a new tool to trigger alternative futures for sensible city planning.

Germany

The animated short film explores the relationship between architecture and the human body - Body and Architecture are both engaged in a “dance” where each adapts to the other and that interplay is expressed by a single piece of paper which wonders through the urban scenery looking for its own shape and identity. The material of the paper unfolds the fragility of the human being.

South Africa

Kuramba The Dream, is a film adaptation by Anita Szentesi, of the oral narrative that Sechaba Maape recounted, of the dream that he had about a living land character, the water snake, who destroyed his hometown. Sechaba Maape arranges to visit Mmakgabo Sibidi to seek advice about the dream, taking the artworks he has created of the dream with him. In the film, the artwork of the water snake comes to life as an animated dream sequence. Sechaba Maape’s face transitions into the face of Mmakgabo Sibidi, showing his intention to visit her. After greeting one another, Sechaba Maape unrolls his artworks, and a discussion ensues about the dream and the subsequent creation of the five buildings artwork. During the discussion, the five buildings rise above, hover, float and vibrate, whilst witnessing and listening to the discussions. At the end of the film, the five buildings descend into the ground, forming the foundations for the conceptualisation of an appropriate contextual architectural approach.