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DOCKING
SPADE HUNG, WINGCHUN CHENG
Hong Kong
Seasonally, street sleepers in Kwun Tong Public Pier need to move out like the tide falls during the pier clearance by authorities, and move back to the pier like the tide rises afterwards. A mobile unit prototype is built with street sleepers themselves to deal with the seasonal clearance. It attempts to save construction materials without destroying the settlements in each clearance, which save energy for street sleepers rebuilding shelter and authorise to dump the construction waste respectively. By enhancing the efficiency of moving in and out, the project hope to stretch the tension between authorities, public and street sleepers on the usage of Kwun Tong Public Pier. The team will continue to document the intervention and situation of the pier in the upcoming clearance.
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Portugal
MuBE - Paulo Mendes da Rocha
MuBE portrays the “Museu Brasileiro da Escultura” built in 1987 by the Architect Paulo Mendes da Rocha. The short movie invites the spectator for a slow journey through the museum, enlightening the relation among the building, the cityscape and the nature, blurring the boundaries between private and public space. His attitude towards architecture was not just to make aesthetic and solitary architecture, but first of all he strived to change the thinking of the people, living, visiting or working in his buildings. In his architecture, rooms act like public spaces, where no divisions and privacy nor segregation take place. People are forced to interact and live together. In his mind, a house should not be more than a place to sleep. And all the rest of the functions are happening in the city itself. MuBE was designed as an introverted, restrained building, carved into stone, it does evolve all the necessary functions in the subterranean layers of São Paulo without disturbing the visual aspect of the surrounding landscape. The portico, the roof over the communal spaces, shelters sculptures and visitors from rain and sunlight, like a stone in the sky. The short movie emphasizes the stone in the sky, through the infinite palette of degradation, weathering patinas and the ever aging construction materials in opposition to contemporary forms of fast architecture and unsustainable resources. Paulo Mendes da Rocha's architecture transcends time and social limits of an inhospitable and inhuman society. Through the use of materials in their most legitimate aspects, Brutalism reveals itself in essence, thus echoing the meaning of architecture: to develop spaces that link city and people.