The film explores where the boundaries of inclusive design are and how they can be further extended by setting pre-determined barriers. The project fictionalises the story of a traveler without knees and how he lives in a modern city. In the process of social discipline, it is a necessary thing to deconstruct the single-mindedness and wishful thinking of the designers in a playful way. In the process of making the film, I tried to identify similarities in the symbolic forms of everyday life and intertwined them with ''poor images'' to examine the tiny narratives of fragmentation and chatter from the position of a spectator.

Second episode of a mini series about Belgian contemporary architecture commissioned by Wallonie-Bruxelles Architecture in the framework of EUMiesAward 2022 . Let’s discover iMAL, the Brussels based Art Center for Digital Cultures & Technology designed by Central Ofaau and Np2f.

This short documentary intends to investigate the eye of the "outsiders" of the city, particularly those, as the hostel guests, who live the city only for a short period of time. This temporarity however, and outer perspective allow them to provide important considerations about the city as well as on how inclusive design could be interpreted, hence improved.

The Milk Float was conceived by Global Generation, Jan Kattein Architects and young people from Somers Town. The left side of the vehicle is equipped with a kitchen featuring a gas stove, lighting, storage and running water. The right side is equipped with hand tools for gardening. The rear has a micro gallery displaying projects and artefacts made during community workshops. The electric float is being deployed in the ‘Knowledge Quarter’ across Somers Town, West Euston and Kings Cross. It unfolds on arrival, embraces its location and calls for attention with its brightly coloured canopies and electric lights. Global Generation run community programmes out of the float including ‘Lunch and Learning,’ ‘Twilight Gardening’ and various making programmes. Working in schools and housing estates and with community groups, the float can service allotments, gardens and neighbourhood parks and support the planting of tree saplings pre-grown in a local community nursery. At the end of each day, the tools go back in to the float, the canopy is folded up and the float moves on to its next destination leaving behind the legacy of a communal meal, a joint building effort or seeds for a new season. The activities inaugurated around the float eventually take root. Adopted by neighbours, citizens, residents, workers, constituents and playgroups they develop a permanent presence, becoming centrepieces of truly public spaces.

This short film embraces the culture of a small minority in Tirana, making them feel more seen and included.

The stories brought to us is history made alive by local elder Natela. With great nostalgia and sadness she tells us about times before when schwabs came to Bolnisi.

A public space of an apartment building complex in Tirana, previously used as a parking lot, is now transformed into a small park with the active participation of the local community. The project is a successful example of participatory design and creative recreation of public space. The film is produced during the CAFx Film & Architecture Workshop Tirana: Leave No One Behind.

The assumption that all people are able to actualize the rights, benefits, and responsibilities of citizenship within the built environment is misleading. African Americans’ ownership of property and use of public space for personal enjoyment has been historically perceived as transgressive behavior, and often met with punitive legal action, violence, and, at times, death. Given this context, the ability of African Americans to successfully navigate and shape the physical spaces within their lives has amounted to de facto survival strategies. Addressing this fraught social-spatial condition and its impact at the scale of the citizen, Thrival Geographies (In My Mind I See a Line), an intervention in the courtyard of the US Pavilion, is rooted in the historical spatial practices of African Americans, yet speculates upon new spatial strategies that support the most precarious of populations. We foreground these practices as manifestations of civic agency and freedom that move all citizens beyond mere survival toward thrival and full participation in the democratic ideal.

I explore Copenhagen across some urban spaces free for everyone where is possible to find Happiness and Relax: inclusive spaces for workout/fitness, playground for children and for people who like to play like a child. New public spaces with a wonderful view on the new Architectures. Special Activity parks with more playfulness that inspire movement and that contribute to the best quality of life for everyone. I filmed my mother (75 years old) who jumps, swings and plays to find happiness in these special urban spaces in Copenhagen.

The story of Hiba depicts the life of a young teacher in Zaatari village and her ambitions for the future.