The short film is about a girl that breaks her glases and has to rush to her oral exam. She is trying to find her way to the exam room, while dealing with low vision. Along the way she notices a lot of improvable spots in the building.

The beginning of the Albanian feminist movement in the early XX century was relatively late compared to other western developed countries. The name of the movie refers to the first society of women, called “Morning Star”, was founded in January 1909, by the Sevasti and Parashqevi Qiriazi. This short movie refers to the spatial narrations, messages in public spaces which often unconsciously and imperceptibly preserve patriarchal patterns. In Tirana, a city where there is relatively more freedom and openness to individuality, compared to the towns and villages of Albania, statues of male heroes dominate anyway. The only female statue that has been inaugurated in 2022, is the statue of Queen Geraldine, as wife of King Zogu. The role of women in history, their importance for the development of the country and it's culture must be redefined and make visible in the public space. The project refers to urban anthropology, but also to the relations of power shaped in the landscape. We admire (in ALbania) the beautiful views, the mountains, forgetting about the situation of women there, forgetting that in small towns, in and behind mountain villages in Albania, there are still many women whose rights to decide about themselves are not respected. And, in terms of land, typical and common here, they cannot inherit a family's land inheritance.

MOVE is an experimental short film that explores the influence of architecture to human psyche. The experimental short film emphasizes the physical exploration of the “Plattenbau” - an architecture of prefabricated concrete block flats that was typical of East Germany. It questions the relationship between body and space.

A story about the symbiotic relationship between Tirana and its Grand Park told from the point of a dweller. As the city transforms into a bustling metropolis, the pace of change can be overwhelming for some. Now that Tirana has become one of Europe's busiest metropolises it has overwhelmed some, as the rate of change is hard to keep up with. Amidst the towering skyscrapers and rapidly growing structures, the Grand Park serves as a sanctuary of peace and serenity, providing a much-needed escape for the people of Albania. In this film, the park serves as a metaphor for Tirana, symbolising the link between the towering Dajti mountains and the city's new urban landscape. The park now serves as a key protagonist in the Tirana 2030 Design Plan, acting as a beacon for preserving the city's green spaces and preventing urban sprawl.

Play is older than culture. Play theorist Johan Huizinga in his book Homo Ludens (1955) defined play as "a free activity standing quite consciously outside ‘ordinary’ life as being ‘not serious,’ but at the same time absorbing the player intensely and utterly. It is an activity connected with no material interest, and no profit can be gained from it. It proceeds within its proper boundaries of time and space according to fixed rules and in an orderly manner." While exploring Tirana in Albania I searched for signs and acts of playfulness in the built environment. A lot of play spots can be found in the city centre in parks, where people play chess and domino, especially the elderly. They bring their own games, organise and spend time with friends outdoors. Play is in the city incorporated as a design (chairs as domino blocks), and use of public space (covered areas) in parks. As a result of my research, I choose to make a short film in which the play is addressed as a sign of inclusiveness which gives the feeling of belonging and identity.

Holding Space explores the lived experiences of Burmese immigrants in Singapore under the gaze of neighbours in public flats. With a focus on spatial arrangements and housing exteriors, the experimental film challenges the ways architects visualise and instrumentality their ways of seeing, seeking to hold space for subjective experiences and the subtle yet persistent influences on our domestic interiors.

The film is about the milk that gold and other ore mining companies distribute to employees to protect their health.

This short documentary follows a day in the life of Vic/Nike and Brynn - two non-binary, queer, trans folk who live near the town of Springfield, in rural Nova Scotia, Canada. In 2021, they bought twelve acres of field and forest to build a farm and collective housing for members of the community historically excluded from rural spaces, including but not limited to BIPOC, 2SLGBTQIA+ and disabled folks. They imagine it to become a physical manifestation of the concept of commoning, where they wish “to see the redistribution of wealth and resources into the collective stewardship of community”. The film is a glimpse into the making of the first collective house, assisted by community members, as well as a tour of the forested land that they plan to build on and share in the future.

MuBE portrays the “Museu Brasileiro da Escultura” built in 1987 by the Architect Paulo Mendes da Rocha. The short movie invites the spectator for a slow journey through the museum, enlightening the relation among the building, the cityscape and the nature, blurring the boundaries between private and public space. His attitude towards architecture was not just to make aesthetic and solitary architecture, but first of all he strived to change the thinking of the people, living, visiting or working in his buildings. In his architecture, rooms act like public spaces, where no divisions and privacy nor segregation take place. People are forced to interact and live together. In his mind, a house should not be more than a place to sleep. And all the rest of the functions are happening in the city itself. MuBE was designed as an introverted, restrained building, carved into stone, it does evolve all the necessary functions in the subterranean layers of São Paulo without disturbing the visual aspect of the surrounding landscape. The portico, the roof over the communal spaces, shelters sculptures and visitors from rain and sunlight, like a stone in the sky. The short movie emphasizes the stone in the sky, through the infinite palette of degradation, weathering patinas and the ever aging construction materials in opposition to contemporary forms of fast architecture and unsustainable resources. Paulo Mendes da Rocha's architecture transcends time and social limits of an inhospitable and inhuman society. Through the use of materials in their most legitimate aspects, Brutalism reveals itself in essence, thus echoing the meaning of architecture: to develop spaces that link city and people.

Every day, we see different urban spaces around us; some are where we live, while others are work areas or streets that we frequently walk or pass by. I grew up in Tbilisi, and my home is near the most famous bazaar in Tbilisi, called the Deserter's Bazaar. It's the most chaotic, noisy, and filthy place I’ve ever been. Public spaces are areas where different people meet each other for different purposes. The bazaar is one of the strangest examples of public space and relations. The people who are here every day at work are boxing everything as much as possible. My main character is space itself, which we see in the first scene. The area really looks like an ocean, but inside the bazaar, people are boxing the spaces. Everything is boxed, like the fruits, vegetables, meat, eggs, and even the fresh fish are boxed in glass boxes.