“Tiny Victories 2.0. A Tale of Empathy” tells the story of Chioco Design's team journey when building a micro home for an individual who has struggled with chronic and sustained homelessness. How organizations like AIA Design Voice and Mobile Loaves & Fishes works timely to offer hope for the community. The word “empathy” serves as a prompt in the development, and execution, but mostly the idea of leaving behind preconceptions of what it is like to live without a home. Director/Editor Gus Bernal www.gusbernal.com Producer: Alexandra Chaves & Gus Bernal Music: www.hooksounds.com Special Thanks to: Chioco Design Jamie Chioco, Christy Taylor, Ben Dimmitt, Vanessa Francis, Tim Petersen, Mau Garza and May Wong Page/ - Design, Architecture, Engineering Shelby Blessing, Wendy Dunnam Tita & Jen Bussinger Mobile Loaves & Fishes Sarah Satterlee Photos Chioco Design - Tiny Victories: Leonid Furmansky AIA Austin DesignVoice: Jason John Paul Haskins & Sarah Satterlee

Documentary is about the German colonial heritage in Bolnisi formerly called Katharinenfeld that among other colonies was founded in the Caucasus in 1818 by 95 colonists from Swabia. Film documents cobblestone roads that swabs meticulously made and till today is preserved in some of the house yards in Bolnisi.

In an increasingly digitised age, how can we bring inclusivity into spatial designs and how can individuals represent themselves in such spaces? This exhibit is showcasing the co-creations by citizens and architects - the "Volumetric Cinema" workshop openly invited more than 30 participants from all walks of life to co-learn Artificial Intelligence (AI) and 3D Extended Reality (XR) technologies, and generated five microcinema of urban landscapes in three weeks. Taught by seven international and interdisciplinary instructors, who toured participants around old districts of Hong Kong, interacted with residents, and studied urban redevelopment from the perspectives of inhabitants to jointly reflect on the multiplicity of our urban future(s). At the Mid-Autumn Festival, the workshop held a premiere event and community review, inviting residents to participate in interactive games and discuss the results of the workshop, and spent a warm and meaningful holiday together.

The concrete structure of the Bronks theater located in the center of Brussels is altered by the presence and performance of Raven 007, a queer voguer. Their movement is political, it queers the architecture, changes the qualities of the building and has brought the queer ball room community together.

Presenting the perspective and state of mind of the homeless living in the downtown area.

Attention economy is the largest and most disruptive innovation in both the information and in marketing. Smart homes are ubiquitous, connected devices that enable people to monitor, and that which is exploited by a large number of people. Attention economy is, therefore, revealed in the transformation of the public sphere into a panorama of relationships of things, of affects, of intentions. The singular constellation of social relations is the ‘state of Things’. It is also, in a way, a mode of production, which throws light on and gives expression to the intensities of this social process and appears in it a kind of objectivity and a mode of definition so that the political process may more appropriately be regarded as a kind of activity. A space is thus less a specific place or a general archetype of entities, and more a particular constellation of relations and a particular object. A space is thus, one in which, what is stored in the ‘actual’ is also what can be transformed into a modulating effect of that, and the inclusivity of the non-human perspective, be it nature or machine.

Only discoveries remain Shadows play around People are playing around The world around you is playing We even follow its flow Flow Which The flow too We do not know We do not know Our move We do not know Ours The next step The direction has a form Form which Leads Leads But Where We do not know either In these new discoveries We find ourselves We will find ourselves and be discovered Then Disappears All that Only Discoveries remain.

The project of improvement of the residential area of the favela in Brasilia is made in the form of a three-dimensional layout using the following materials. The project provides layouts of public toilets. They are painted with white, brown and pink acrylic paint. Next to the toilets, trees -birches, maples - are planted at a distance of 5-7 meters. These trees pull up to 200 liters of water out of the ground in 24 hours. This solution significantly reduces sewage waste water. Drinking taps should be provided on the streets of favelas.

The short centers around the people using the recycling center. When I accidentally stepped into this place, I was surprised by the scenery, because in Japan(where I can from), it is not normal for people to go to a recycling center. We put our boxes in the street, and the garbage truck will pick it up. In the dump station that I went to, of course there were carpenters and gardeners, but there were also many normal people. And I think if you are Danish, I imagine that it would be a norm from a young age to go to these recycling place. In a span of four days of filming, I asked 12 people how they felt about the place. Though there were few who felt negativity in the place, everyone agreed that it is good to dump the garbage by themselves because it is good for the environment, and that it is normal to do that. As I was shooting the film, I realized that “normality” was the key word for this short. Normality is dangerous because my normal is not your normal, and the perception of one’s normality can exclude people that is not within that normality. The short has a very positive atmosphere, but at the same time, it is important to note that that positivity could “leave someone behind”. Please enjoy.

Lynetteholm is an artificial island off the coast of copenhagen planned to be finished in 50 years. The project is yet another example of anthropocentric architectural expansion. I expanded it upon the lens of ecofeminism, by putting into question this human urge to colonize the landscape and species living in it. I used essay film as the medium; sometimes footage from Copenhagen zoo, symbolizing the colonial history and human supremacy, blends in with actual footage from the construction site. As the voice-over, I asked a friend of mine, to answer a question: "what would you put on an island if you had an island"?